Battleship

It's always nice to see games you've been involved with doing well, and it's been especially gratifying with Battleship.

It was FinBlade's first project with EA and everyone worked really hard to make an iPhone adaptation that not only looked great, but played really well. And it's not all "B3" and "D7". There are exciting new game modes, with airstrikes, torpedo attacks, and even an orbiting laser weapon that pulverises the oceans and everything on them. But you you can still play classic modes if you prefer.

It was really great to find that Battleship was in the iTunes Top Ten on Christmas Day. And on both sides of the Atlantic too!

These aren't just *any* chocolate truffles...

No indeed, these are the tragic chocolate truffles that I thought I could make myself.

It all started out so well. I walked in on a Channel 4 programme called Kirstie's Homemade Christmas, where a reassuringly large woman was doing a feature on how to make chocolate truffles. This seemed mostly to involve eating chocolate and saying how nice it was, so I was immediately encouraged that it was something I could do really well.

The large lady explained that you heat up some whipping cream, add a spoon of honey, then melt in lots of grated chocolate and stir it into a yummy-looking goop called a ganache. This should be left overnight to cool and thicken. Resisting the temptation to eat my ganache, I dutifully left it overnight to cool and thicken.

Next day, I did as the not-insubstantial Kirstie had done - donning gloves, dusted in cocoa powder, and making little ball-shaped bits of ganache.

"That looks like a poo!" she had squealed, as she dropped a brown glob onto a tray. I was greatly encouraged to find that my own creations were similarly beautiful.

Now, came the tempering of the chocolate, a mouth-watering process whereby chocolate is melted, then tipped out onto a large marble slab and smoothed to a cool gloss with a palette knife. I had actually bought a granite slab and palette knife especially for this, and found myself daring to dream the chocolatier's dream as I worked away happily...

...but the sweet dreams turned bitter.

On TV, the generously-proportioned presenter took robust, spherical orbs of ganache and dipped them, one by one on a fork, into her tempered chocolate. Sadly, my own ganache resembled a series of unsuccessful bowel movements - flat splats that drooped and oozed off the fork almost immediately. The few that made it to the tempered chocolate simply sank without trace.

And this is where I wonder if I have been duped. Yes, I may need more chocolate and less whipped cream. Yes, I might try cooling the ganache on a larger tray to thicken it more. But no, I do not believe the ganache plops that Kirstie crafted were the same ones she dipped into her chocolate moments later. Who was that smiling chocolatier standing by her side, and were the firm balls perhaps his not hers?

It's academic now, of course. Just when I thought it was safe to come out of culinary retirement, this disaster has set me back another 10 years. In a house where I'm only 3rd best cook if I don't count The Cat, it's best to accept my limitations and play to my strengths. From now on, I'll focus on eating.

Goats

I really enjoyed working on the iPhone app to accompany The Men Who Stare At Goats movie, starring George Clooney, Ewan McGregor, and Kevin Spacey. Today, it was extremely pleasing to see that it has climbed to number 3 in the Free Apps chart on iTunes - no mean achievement!

The collaboration between FinBlade and our friends at Small Screen Productions has been great, and immense congratulations are due to Niall, Cam and James for some excellent work. If you have an iPhone, download the app now - it's free after all. Otherwise, click the link below to let Jon Ronson (author of the original Men Who Stare At Goats novel) to tell you all about it...

http://www.youtube.com/watch?v=dFK7o3s5w-E

"e"

I'm usually a bit wary when someone gushes about a book. All too often, phrases like "trust me - you'll absolutely love it" are misguided, serving only to build the book up so that it eventually disappoints...

...which made "e" by Matt Beaumont a very pleasant surprise.

It didn't look promising at first glance - a novel without narrative, composed entirely of inter-office emails - but this turned out to be one of the most compelling and entertaining things I've read in years.

Set in a large London advertising agency, it charts a period of several weeks as the firm tries to win the much-prized Coca Cola account. Told only through the emails between characters - from the CEO to the secretarial temp - the story unfolds into a beautiful web of office politics, and corporate chaos. Perhaps my own career experiences make some of it especially relevant, but I think anyone who has ever worked in a large company will find themselves laughing aloud at characters who seem terribly familiar.

I won't spoil it by saying more. Just trust me - you'll absolutely love it ;-)

Clear

Some conversations are really significant. They change how you feel, right there in an instant, and suddenly everything is different.

Having an MRI scan was one of the most distressing experiences of my life. It wasn't physically uncomfortable but, for someone who finds hospitals nigh-on-unbearable, it wasn't easy. Lying there, unable to move, trapped inside a claustrophobic space with nothing to think about except why you are there...

Then come the weeks of waiting. I'm still not sure which is worse - the scan itself, or the period that follows it. Days dragging by, slowly creeping towards that date in the diary, when the consultant will discuss the results.

And then, this afternoon, it was finally my turn to go in and "take a seat Mr McNeill" and talk for a moment...

...and hear that the scan had come back clear.

Some conversations are really significant. Thank God.

McPolitics

In the third week of Party Conferences, it would be easy to despair when reading how far the tabloids have to dumb down their political coverage. As our country approaches a general election, and at a time when the developed world faces incredible economic pressures, the two principal arguments for Britain seem to be:

"He's got no sense of humour."
(therefore Gordon Brown and the Labour party are somehow unsuited to run the country)

"He's got a posh accent."
(therefore David Cameron and the Conservative party are somehow unsuited to run the country)

This isn't The X-Factor! Worryingly, these are becoming the front-page, headline issues. However, if the public does dig deeper they will, eventually, be presented with other arguments such as:

"Gordon Brown got us into this mess."
(conveniently and blatantly ignoring the impact of global recession on the country)

"David Cameron doesn't know what it's like to live on £90 a week."

(as though any of the party leaders have to live on £90 a week - and as though having someone with this sort of experience would be better than silly things like economics, business, diplomacy, etc.)

Anyone who is engaged by this sort of insightful journalism would do more good eating their ballot paper than voting with it.

So whatever happened to the real political argument? Well, it's true that the difference between left and right is much smaller than it used to be. Tony Blair won 3 elections by taking the centre ground - he understood that the unions and militants would sound more appealling to the country if they shut their mouths. David Cameron seems to have a similar strategy, bringing the Conservatives right in beside Labour, and adopting a more compassionate stance. With both parties trying to be masters of the middle, there is naturally less division, less fodder for robust political debate.

But surely there is still room for some intelligent discussion. Surely there are different centrist approaches that merit debate? Or have we reached the point where a talent show phone-vote is the only vote that matters?

The Riddle Of The Sands

Just finished reading The Riddle Of The Sands by Erskine Childers, a wonderful espionage tale set in the first few years of the twentieth century, while Britain still had a vast Empire, and war had not yet coloured the way we think of Germany.

Presented as a factual account of events, it is told from the viewpoint of Carruthers, a lowly clerk at the Foreign Office who, being at something of a loose end, accepts an unexpected invitation to join an old acquaintance, Davies, who is yachting in the Baltic. The yacht is far from luxurious, but the two men renew the friendship forged during their time at Oxford and set out to navigate the coastline.

As time goes on, and they begin to explore the sands around the Frisian Islands, Carruthers and Davies are drawn into a dangerous mystery. Why are they being watched wherever they go? Who is the sinister Herr Dollmann and why did he try to run Davies aground? And what is happening on the Island of Memmert that they are not supposed to see?

It's an compelling story and the writing, though somewhat archaic in style, anchors it perfectly in its period.

There's an enjoyable film adaptation from 1979, starring Michael York and Simon MacCorkindale. It's beautifully shot, and notable for a rare performance where (for artistic reasons) Jenny Agutter kept her clothes on. Being already familiar with this film took nothing away from the book - and although they digress in some details, the heart and spirit of both versions are the same.

And one final thing about this remarkable story? Erskine Childers' book - dealing as it does with the German invasion of England - was published in 1903, more than a decade before the outbreak of the First World War. Whether foresight or coincidence, it certainly makes you think.